Marble Saint Ecstasy
Bernini was considered one of the great sculptors of his day.
Marble saint ecstasy. The ecstasy of saint teresa alternatively saint teresa in ecstasy or transverberation of saint teresa. These words taken from the autobiography of the sixteenth century spanish carmelite saint and charismatic reformer teresa of avila 1515 1582 were the inspiration and reference point to one of gian lorenzo bernini s greatest masterpieces. Wikipedia cc by sa 4 0 the life sized marble sculpture of the ecstasy of saint theresa by gian lorenzo bernini is considered a masterpiece of baroque. The ecstasy of st.
Other articles where the ecstasy of saint teresa is discussed. The central sculptural group in white marble set in an elevated aedicule in the cornaro chapel church of santa maria della vittoria rome the ecstasy of saint teresa is widely considered to be on of the sculptural masterpieces of the high roman baroque. It is a portrait of teresa of avila a prominent spanish mystic roman catholic saint carmelite nun author and theologian of. One of the greatest sculptures from the era of baroque art the marble ensemble known as the ecstasy of saint teresa l estasi di santa teresa located in the cornaro chapel of the church of santa maria della vittoria was carved by bernini 1598 1680 one of the leading baroque sculptors of the roman school.
Point is his sculpture of the ecstasy of st. Teresa made by gian lorenzo bernini from 1647 52. Teresa of avila a carmelite nun wrote an autobiography in the 1500 s describing an episode of religious ecstasy in which an angel thrusting a gold arrow into her heart caused her to moan in a. It currently rests in santa maria della vittoria church in rome italy.
Patronage of innocent x and alexander vii. The ecstasy of saint teresa 1647 52. In representing teresa s vision during which an angel pierced her heart with a fiery arrow of divine. And what an ecstasy.
Teresa 1645 52 a depiction of a mystical experience of the great spanish carmelite reformer teresa of ávila. The sculpture was commissioned by a venetian cardinal and was completed in 1652. Italian baroque sculptor gian lorenzo.